
I've been in awe of these amazing warriors for some time--check out this earlier post. A Nepalese Ghurka plays a key role in my current novel-in-progress, THE LOTUS ASSASSIN. For more pix and details on Sergeant Pun, click HERE.
Art, Myth, Consciousness
I've been in awe of these amazing warriors for some time--check out this earlier post. A Nepalese Ghurka plays a key role in my current novel-in-progress, THE LOTUS ASSASSIN. For more pix and details on Sergeant Pun, click HERE.
"This isn’t the first time the American Dream has died. The old dream — your own farm rather than your own home — once dominated American culture, politics and family life as much as the family home ever did. The slow and painful death of that dream was one of the country’s core preoccupations in the first half of the twentieth century. The death of the new dream is likely to be a big deal as well."
"That dream is timelessly valid, and it is still the thing that people around the world admire most about the United States. We are going to have to re-imagine and re-engineer the dream to keep it alive in the decades ahead, but that shouldn’t daunt us. America is a nation of dreamers; building the future by following those dreams is what we do best."
Do not go up: here heaven has a hold.
Air there is thin, too thin for breathing in,
and yet there is a rapture in the deep
beneath the light: green, dark and wonderful.
And dark is where the dreams are; past things, too:
the place we see ourselves unselved,
and find an ocean, opiate enough
to drown all doubt. Go down, then, if you will,
and sink into intoxicated sleep.
Shells shift and speak tomorrow and afar.
Tomorrow is the place where rumours are.
--Philip Quinlan